1969 – 2002

B.M. Rasheed, a multifaceted individual known for his prowess as a poet, journalist, and storyteller, left an indelible mark on literature despite his premature passing at the young age of 33. Born in 1969 to B.M. Ismail and Cheriamma in Mata near Uppinangadi, Rasheed hailed from a family with a strong literary tradition. Notably, his great uncle (his father’s elder brother) was B.M. Idinabba, a former MLA and poet, while his brother is the journalist B.M. Basheer.

From a tender age, Rasheed displayed a keen interest in literature and journalism, garnering early acclaim for his writings from senior literary figures such as Lankesh. While still pursuing his Pre-University Course (PUC), Rasheed embarked on his journalistic journey by joining the newspaper ‘Suddi Bidugade,’ where he worked as a reporter for approximately a year. Subsequently, while pursuing his undergraduate studies, he engaged as a part-time reporter for various state-level newspapers, all the while honing his craft as a poet and storyteller.

During his stint at Government Junior College, Uppinangady, Rasheed curated a vibrant atmosphere by editing the handwritten newspaper ‘Spandana.’ His literary prowess shone through when he clinched the first prize in the state-level Dr. TMA Pai Memorial Ashukavitha creation competition with his poem ‘Ashanti Parva,’ which sparked widespread discourse upon its publication in Tharanga Weekly in 1992.

As Rasheed pursued his final BA, his short story ‘Garbha’ made waves when it was published in Lankesh magazine, earning him much acclaim and an encouraging note from Lankesh himself to continue writing. Subsequently, Rasheed’s poetry and stories became a regular feature in ‘Lankesh magazine’ under the editorship of Lankesh. Notable works include ‘Paryaya,’ which was given prominence in the Diwali special edition, as well as ‘Mate Illobblu Amrita Mati,’ which delved into the complexities of interpersonal relationships amidst the backdrop of the Naxal struggle.

Another poignant piece by Rasheed, ‘Kshamisi Bayakegala Innendadaru Omme Baruve’, resonated with readers by portraying the disappointment that arises from unmet human expectations. Despite his untimely demise, Rasheed’s literary legacy endures, leaving behind a body of work that continues to inspire and provoke thought.

Following the publication of “Ashanti Parva” in Taranga, Rasheed’s poetic oeuvre found a regular platform in Lankesh magazine, where several of his notable works, including ‘Speaking of Silence,’ ‘I was silent! But…’, ‘Some Lessons at the Golden Beach Beach,’ ‘The Minute I Born to You,’ and ‘Vishad Parva,’ were featured. Additionally, ‘Parusha Mani’ found a place in Janavahini weekly. Rasheed’s versatility extended beyond poetry, as evidenced by his article on singer Mukesh titled ‘Neenobne Mukesh,’ published in Lankesh, and another article titled ‘Street Drama-Many Possibilities,’ which appeared in Prajavani.

As a reporter, Rasheed’s investigative journalism often sparked debate and controversy at the state level. His comprehensive reports in Lankesh and Hi Bangalore shed light on various issues, including communal riots such as the Suratkal and Puttur riots, where he sought to advocate for the victims and provide justice. Furthermore, Rasheed’s humanitarian reports brought attention to overlooked issues, such as the plight of tribals and the struggles of MRPL victims.

In his final writing, an article titled ‘Have You Seen This Divine Kingdom?’ Rasheed eloquently highlighted the challenges faced by patients at the Beltangadi Mental Asylum. Tragically, Rasheed’s life was cut short on November 2, 2002, leaving behind a legacy of extraordinary talent despite his brief existence.

Renowned author Banjagere Jayaprakash lauds Rasheed’s storytelling prowess, noting the depth and maturity evident in works such as ‘Paryaya’. Rasheed’s mastery of language, narrative, character development, and contextual management showcased his potential to become a significant contributor to Kannada literature, had he lived longer.

Overall, Rasheed’s literary contributions, characterized by rich language and captivating storytelling, continue to resonate within Kannada literature, ensuring his enduring presence in the literary landscape.